Gold medalist at the 2008 World Piano Competition in Cincinnati, South Korean pianist Yoonjung Han recently presented her debut recital at Lincoln Center’s Alice Tully Hall. A feeling of celebration and anticipation of the moment filled the auditorium. Having made her debut at the age of thirteen, Han is no stranger to the concert stage. She got right to business with a colorful and joyfully performed Haydn Sonata in E-flat Major, Hob. 52. After the light and giddy first movement, the audience erupted into applause. The Adagio was carefully planned out and balanced, though one might have wished for more spontaneity and abandon. The Presto Finale floated gracefully above ground and was received with a warm ovation.

Han seemed to truly enjoy herself during the Chopin Sonata, Op. 58. Although her sound was a bit timid at times, every harmony had a lovely inflection. This was most apparent in the third movement, which might have been a love duet in an opera Chopin never wrote. My favorite part of the program turned out to be the two selections from Granados’ “Goyescas” after the intermission— (and the gown change). “Los requirebros” (Flattery) was filled with both joy and the requisite flirtation. She showed understanding of multi-layered textures and an admirable sensitivity to the counterpoint and key structure, at the same time masterfully displaying the shimmering figurations. “El amor y la muerte” (Love and Death) was presented with drama, yearning, and passion. She now truly identified with the music and brought out the intensity I hoped for in the Chopin Sonata.

Han concluded the program with Schumann’s “Carnaval,” performed without most repeats. Many fast sections felt rushed, yet she managed to portray the festive character of this colorful ball. Overall, Han’s natural gift for melody and a charming stage presence made her recital a joy to hear.